I am a London-based artist originally from Madrid with over twenty years of experience in the dance sector. My choreographic work challenges social structures, questioning how the body behaves in the current context. In my interdisciplinary practice I have been exploring other media working with video, light, text, creating site-specific work and curating performance events.
I have twice been awarded a Dance Web Scholarship at the Impulstanz Festival Vienna, showing my work in collaboration with the Embassy of Spain. From 2013-2016 I was a core member of TripSpace projects in London where I curated nights of performance, including Limen festival in collaboration with the Hayward Gallery.
I have presented work in the UK, Europe, Australia and Chile in venues such as Arts Admin, Dance4, ICA, Barbican, Matucana 100 (Chile), kampnagel (Germany), Critical Path and Tasdance (Australia).
I curated and performed in The Palest Light as a Wild Card event at Sadler’s Wells Theatre (2016), signalling the evolution of a strong ongoing partnership from my time as a SW Summer University 2015 - 2018 artist. Ellipsis Land, one of my works in collaboration with Josefina Camus, was part of the first Tate's Live exhibition: Ten Days Six Nights (2017) and had two seasons at Sadler’s Wells Theatre (2016-2017).
In 2019 I was invited to participate in a residency at Critical Path in Sydney and TasDance Tasmania where I started developing my current research for The Machine of Horizontal Dreams, my most ambitious project to date that critically proposes alternatives to the Western concept of 'progress' about society, environment and embodiment. Dance4 invited me to be one of the UK delegates at DanceMassive Festival Melbourne and present my research as part of Nottdance, International Festival in Nottingham.
In 2021 The Machine of Horizontal Dreams was commissioned to premiere as an immersive performance installation at Sadler’s Wells East 2025. I secured an Arts Council Project Grant in 2023 to present CHARCO, the first episode of TMoHD at the Dance Space, South East Dance, Brighton with the support of The Institute of Creative Technology at De Montfort University, Wainsgate Dances & Sadler’s Wells Theatre.
In 2024 I will be graduating with an MFA in Creative practice at Trinity Laban with my final thesis synthesising my research for The Machine of Horizontal Dreams.
I have twice been awarded a Dance Web Scholarship at the Impulstanz Festival Vienna, showing my work in collaboration with the Embassy of Spain. From 2013-2016 I was a core member of TripSpace projects in London where I curated nights of performance, including Limen festival in collaboration with the Hayward Gallery.
I have presented work in the UK, Europe, Australia and Chile in venues such as Arts Admin, Dance4, ICA, Barbican, Matucana 100 (Chile), kampnagel (Germany), Critical Path and Tasdance (Australia).
I curated and performed in The Palest Light as a Wild Card event at Sadler’s Wells Theatre (2016), signalling the evolution of a strong ongoing partnership from my time as a SW Summer University 2015 - 2018 artist. Ellipsis Land, one of my works in collaboration with Josefina Camus, was part of the first Tate's Live exhibition: Ten Days Six Nights (2017) and had two seasons at Sadler’s Wells Theatre (2016-2017).
In 2019 I was invited to participate in a residency at Critical Path in Sydney and TasDance Tasmania where I started developing my current research for The Machine of Horizontal Dreams, my most ambitious project to date that critically proposes alternatives to the Western concept of 'progress' about society, environment and embodiment. Dance4 invited me to be one of the UK delegates at DanceMassive Festival Melbourne and present my research as part of Nottdance, International Festival in Nottingham.
In 2021 The Machine of Horizontal Dreams was commissioned to premiere as an immersive performance installation at Sadler’s Wells East 2025. I secured an Arts Council Project Grant in 2023 to present CHARCO, the first episode of TMoHD at the Dance Space, South East Dance, Brighton with the support of The Institute of Creative Technology at De Montfort University, Wainsgate Dances & Sadler’s Wells Theatre.
In 2024 I will be graduating with an MFA in Creative practice at Trinity Laban with my final thesis synthesising my research for The Machine of Horizontal Dreams.